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Electronic Producer “Cheats Real Musicians” By Making Complex Track On Complicated Software It Took Him Years To Master

An electronic music producer has this week been attacked by a self proclaimed “proper” musician who claims that “by making his tracks using complicated software that it took him years to master” rather than traditional instruments the electronic music producer “is cheating”.

David Blake, a 24 year old budding guitarist was scathing in his criticism of an acquaintance of his who produces electronic music as well as doing some DJing, Brian Ward. “For me, if you’re not using an instrument then it’s not making music,” said David lambasting electronic music as “piss-easy computer music that a kid with a joystick could make accidentally”.

“There’s no skill or talent involved in it,” he continued. “All it is is sitting at a computer where you source and create sounds which you then arrange and master to form a complex and interesting track that’s both aesthetically and emotionally pleasing….piece of piss.”

David insists that this arduous and complicated approach to making music is a “form of cheating”, claiming that he writes “the sort of terribly basic three chord ditties of a lovelorn teenager” which take about as much time to create as “it takes to move your fingers into three different yet similar shapes” and that that makes him “ten times the musician that any electronic producer is”.

Lambasting all electronic producers and beat making equipment, David listed artists who he considers to be “frauds and not real musicians” because they work using electronic equipment.

“Aphex Twin isn’t a proper musician,” he stated angrily. “It’s all just bleeps and noises. Window Licker, what’s that about? Play it on guitar acoustically and then maybe I’ll consider it a song.”

Reiterating that he thought using a computer to make music was “cheating because the computer does all the work”, David claimed that anyone could learn to master a “simple computer program” whereas a traditional instrument like the guitar sometimes takes a person as long as “ten lessons” to start to get good at it.

“Programs like Reason,” he offered as example. “How long could it possibly take to learn that? A few hours, a rainy afternoon?? It took me four lessons to learn to go from G to C to Em. I bet most of those electronic ‘musicians’ have never even seen a guitar, never mind being able to play a hard barre chord or some scales.”

“No matter what you try to tell me, I’ll never consider it real music,” he concluded. “It’s all just a complicated combination of beats and melodies that sound pleasing to the ear and incite a desire to dance that was made with a computer, which is not real, proper music.”

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